[Start with FULL DANCING RHYTHM immediately: fast Colombian-style cumbia percussion, bright cowbell, energetic shakers, party claps, deep Amazonian tribal drums, African djembe and dunun, lively festival toms, rhythmic wooden percussion, and a nonstop hip-moving groove with zero intro or spoken lines] [Mixed vocals: male and female expressive storytelling focused on FUN and ENERGY, not sensuality; playful call-and-response, festive ad-libs (“hey!”, “yeah!”), rhythmic short phrases, theatrical delivery, joyful crowd-style interjections, always ON TOP of the beat without interrupting the dance momentum] [Use wide stereo percussion, layered cumbia + Amazonian + African drum pulses, bright tropical accents, rhythmic guitar patterns, and a continuous dance-floor groove designed for universal movement in any language; male and female vocals, very happy and expressive to the lyrics, making everyone feel joyful and ready to party; Dance Pop]
3:31
[Start with FULL DANCING RHYTHM immediately: fast Colombian-style cumbia percussion, bright cowbell, energetic shakers, party claps, deep Amazonian tribal drums, African djembe and dunun, lively festival toms, rhythmic wooden percussion, and a nonstop hip-moving groove with zero intro or spoken lines] [Mixed vocals: male and female expressive storytelling focused on FUN and ENERGY, not sensuality; playful call-and-response, festive ad-libs (“hey!”, “yeah!”), rhythmic short phrases, theatrical delivery, joyful crowd-style interjections, always ON TOP of the beat without interrupting the dance momentum] [Use wide stereo percussion, layered cumbia + Amazonian + African drum pulses, bright tropical accents, rhythmic guitar patterns, and a continuous dance-floor groove designed for universal movement in any language; male and female vocals, very happy and expressive to the lyrics, making everyone feel joyful and ready to party; Dance Pop]
3:11
Prompt:
[Start with FULL DANCING RHYTHM immediately: fast Colombian-style cumbia percussion, bright cowbell, energetic shakers, party claps, deep Amazonian tribal drums, African djembe and dunun, lively festival toms, rhythmic wooden percussion, and a nonstop hip-moving groove with zero intro or spoken lines] [Mixed vocals: male and female expressive storytelling focused on FUN and ENERGY, not sensuality; playful call-and-response, festive ad-libs (“hey!”, “yeah!”), rhythmic short phrases, theatrical delivery, joyful crowd-style interjections, always ON TOP of the beat without interrupting the dance momentum] [Use wide stereo percussion, layered cumbia + Amazonian + African drum pulses, bright tropical accents, rhythmic guitar patterns, and a continuous dance-floor groove designed for universal movement in any language; male and female vocals, very happy and expressive to the lyrics, making everyone feel joyful and ready to party; Dance Pop] [Intro — 鬼門大開] 七姊妹道嘅夜風突然變凍， 香火味同海風一齊吹到成條街都起雞皮。 紙衣燒到金光亂舞， 啲阿嬸仲話：「今晚啲鬼好精神喎。」 供桌後面啪一聲亮起白光， 細細個女鬼托住塊臉甜笑到好邪： 「喂～你終於嚟喇吖，今晚我哋玩到天光。」 [Verse — 冇錢=死得] 男人腳震到好似港鐵壞軌， 手上得返張皺晒嘅街衣紙。 成袋紙衣俾佢燒清光，火光照住女鬼個樣—— 甜到漏、毒到震、靚到死。 佢飄到佢面前戳額頭： 「你啲錢…全部燒冇晒喇，笨豬。」 [Pre‑Chorus — 還唔到錢就還身] 男人結巴：「我…我真係冇其他喇…」 女鬼笑到好似旺角狐狸精： 「冇錢？咁你欠我嘅…」 佢貼住佢耳仔吹到佢心跳走拍： 「就用你嘅——BUMBUM嚟還啦。」 [Chorus — 全球魔咒] “I got no money…” “你把它烧掉了…” “No money, no honey, NO BUMBUM!” 「Buuuuuuuuuhhhh——！！」 [Verso Especial — 香港街頭節奏] 冇錢冇蜜冇BUMBUM， 今晚盂蘭節鬼門開等你入門。 喊都冇用，走都走唔順， 欠落嘅債——跳到天光先算。 “No money, no honey, NO BUMBUM!” 回音震到成條巷都暈。 [Verse — 鬼群全面覺醒] 佢句說話未完，四圍影子全部彈起身。 紙紮人抬頭，燈籠跳到好似中環夜店咁閃。 牆上啲影衝出嚟圍住佢， 一班細鬼拍手狂笑： 「還債要BUMBUM！還債要BUMBUM！」 [Bridge — 想走走唔甩] 男人想走，但雙腳好似俾港鐵閘門夾住。 女鬼拍拍手，全部鬼魂一齊鼓掌。 佢笑到眼彎彎：「唔好走住啦，你嘅BUMBUM仲未跳畀我睇。」 地底鼓聲轟隆隆震起， 紙衣俾風捲到好似金龍咁飛。 [Signature Moment — 鬼婆降臨] 突然——音樂停晒。 巷口得返「shhh… shhh…」掃帚聲。 全部鬼定晒形，女鬼眼都凸埋。 黑暗入面行出一個影—— 係鬼婆，大士王都要讓位嘅掃帚皇后。 佢舉高掃帚大喝： 「你哋跳到咁慢？等我教你哋——真正嘅 BUMBUM。」 佢猛咁一掃： 「BUMBUM SUPREMO!!!」 燈籠狂跳，影子翻滾， 祖先落嚟跳cha‑cha‑chá。 全部鬼跪低大叫： 「BUMBUM SUPREMO! BUMBUM SUPREMO!」 [Drop — 香港盂蘭大亂舞] 音樂爆炸，鬼魂捉住男人手腳逼佢跳BUMBUM。 成條街嘅鬼都加入，大叫： 「Bumbum! Zumzum! Bumbum! Zumzum!」 男人喊住講： “I got no money… 你把它烧掉了… No money, no honey, NO BUMBUM!!! Buuuuuuuuuhhhh——！！” 女鬼喺半空轉圈笑到癲： 「今晚你係我哋嘅供品——跳到天亮啦！」