[Mythic Afro Witch‑Dance Ritual, POWERFUL Ceremonial Tribal March (deep synchronized stomps with long echo), Sub‑Earth Pulse Stomp (felt more than heard), Ascending Wooden Strike Blocks (rising-scale wooden hits like a wooden strike‑piano), Rhythmic Monk Temple Wood Blocks, Wooden Cabasa/Güiro Shimmer (cumbia-style rasp), Cumbia Metal Cowbell Pulse (bright TIN‑TAN groove), Bright Romantic Cumbia Trumpet Lines at key peaks, Ghost Accordion Flourishes (soft emotional bursts appearing only in key moments), SIX‑DIMENSIONAL Ceremonial Deep Drums (soft mallet hits with long resonance), Deep Wooden Heartbeat Drum, Collective Breath‑Wave Metronome (40 synchronized voices exhaling “huh… ha… hooh…” like a rising and breaking ocean wave), Secondary Female Circle‑Walk Steps (soft tap‑tap footfalls, gentle exhale whispers, subtle foot‑scrape rhythm), Whispered Female Aura (light “ahh… mmm… shh…” textures floating around the circle), Group Ritual Chant Loop (“ABUMAYE! ABUMAYE! HUH!!!” shouted by 40
3:29
[Mythic Afro Witch‑Dance Ritual, POWERFUL Ceremonial Tribal March (deep synchronized stomps with long echo), Sub‑Earth Pulse Stomp (felt more than heard), Ascending Wooden Strike Blocks (rising-scale wooden hits like a wooden strike‑piano), Rhythmic Monk Temple Wood Blocks, Wooden Cabasa/Güiro Shimmer (cumbia-style rasp), Cumbia Metal Cowbell Pulse (bright TIN‑TAN groove), Bright Romantic Cumbia Trumpet Lines at key peaks, Ghost Accordion Flourishes (soft emotional bursts appearing only in key moments), SIX‑DIMENSIONAL Ceremonial Deep Drums (soft mallet hits with long resonance), Deep Wooden Heartbeat Drum, Collective Breath‑Wave Metronome (40 synchronized voices exhaling “huh… ha… hooh…” like a rising and breaking ocean wave), Secondary Female Circle‑Walk Steps (soft tap‑tap footfalls, gentle exhale whispers, subtle foot‑scrape rhythm), Whispered Female Aura (light “ahh… mmm… shh…” textures floating around the circle), Group Ritual Chant Loop (“ABUMAYE! ABUMAYE! HUH!!!” shouted by 40
3:11
Prompt:
[Mythic Afro Witch‑Dance Ritual, POWERFUL Ceremonial Tribal March (deep synchronized stomps with long echo), Sub‑Earth Pulse Stomp (felt more than heard), Ascending Wooden Strike Blocks (rising-scale wooden hits like a wooden strike‑piano), Rhythmic Monk Temple Wood Blocks, Wooden Cabasa/Güiro Shimmer (cumbia-style rasp), Cumbia Metal Cowbell Pulse (bright TIN‑TAN groove), Bright Romantic Cumbia Trumpet Lines at key peaks, Ghost Accordion Flourishes (soft emotional bursts appearing only in key moments), SIX‑DIMENSIONAL Ceremonial Deep Drums (soft mallet hits with long resonance), Deep Wooden Heartbeat Drum, Collective Breath‑Wave Metronome (40 synchronized voices exhaling “huh… ha… hooh…” like a rising and breaking ocean wave), Secondary Female Circle‑Walk Steps (soft tap‑tap footfalls, gentle exhale whispers, subtle foot‑scrape rhythm), Whispered Female Aura (light “ahh… mmm… shh…” textures floating around the circle), Group Ritual Chant Loop (“ABUMAYE! ABUMAYE! HUH!!!” shouted by 40 voices in explosive unison), Ancestral Invocation Shouts (“OH’KAMBARA‑RAAAH!”, “SPIRITS, COME DOWN NOW!”), Distant Spirit Wails (far‑away “aaahhh…” ghost calls), MASSIVE Multi‑Layered Ancestral Drums (djembe, ngoma, dunun, talking drum, udu, bata, shekere, calabash), Fire‑Circle Percussion, Bone Rattle FX, Night Savanna Ambience, Whispered Gritty Male Voice Saying: “I am the baddest witch‑doctor… and I’m stealing your goat…”, Native Chant FX, Deep Cave‑Reverb Choir, Stomping Feet Around the Fire, Hypnotic Witch‑Dance Bells, Nairobyou Mystic Pulse, Slow Ritual Drumline Surge] [Latin Music, Happy, Danceable, Party, ZUMZUM Beat, French Spirit Festival, Paris Ghost Carnival, Theatrical Storytelling, Mixed Male/Female Vocals, Tribal Percussion, Masked Parade Energy] [Intro — Le Petit Fantôme Parisien] Par une nuit brumeuse du Festival des Esprits, un petit fantôme flotte au‑dessus des pavés mouillés. Son béret tremble un peu, il chuchote: “Approche… viens par ici…” [Verse — Carnaval de Paris] Lanterne qui danse, accordéon qui s’enflamme, masques, plumes, rires qui roulent dans la rue. Le fantôme voit un homme stressé, tenant un croissant cassé comme “offrande” perdue. [Pre‑Chorus — L’Invitation] Il souffle fort et ose demander: “Je peux… danser avec toi?” Le fantôme sourit, charme parisien dans les yeux: “Danser? Seulement si tu m’apportes un vrai cadeau…” [Chorus — Global Line] “I got no money…” “No money, no honey… NO BUMBUM!” “Buuuuuuuhhhh!!!” [Verse — Fuite dans la Ruelle] Il court, glisse, trébuche dans une ruelle étroite, évite un mime, un danseur, une baguette volante. Mais au fond de lui, il sait très bien… le fantôme n’est PAS le vrai danger ce soir. [Bridge — La Vraie Terreur] Derrière un char coloré surgit SA FEMME. Mains sur les hanches. Regard plus tranchant qu’un couteau de chef. Il saute si haut qu’il lâche presque son croissant: “Aidez‑moi… elle revient!” [Drop — BUMBUM + ZUMZUM Paris Fiesta] Le fantôme éclate de rire. Sa femme l’attrape par l’écharpe. Tambours qui frappent, accordéons qui rugissent, masques qui tournent comme des esprits de Montmartre. La place entière devient un carnaval fantomatique. Tout le monde crie: “Bumbum! Zumzum! Bumbum! Zumzum!” Lui, coincé entre fantôme et épouse, danse en panique et hurle: “No money… no honey… NO BUMBUM!!!”